How to Return to Art After Missing Classes or Falling Behind
You’re so excited and nervous: you finally said yes to an art class you’ve been thinking about.
And in the beginning, you show up, do the first lessons, even get some feedback.
But then something happens and you fall off course. You feel a bit embarrassed, but you tell yourself it’s okay. You will make the next call. You’ll do the next lesson in a few days. And the intention is there, too. You want to get feedback. You want to work on your art.
Unfortunately, life interferes. Perhaps a kid stays home sick. One of your parents is ill. A layoff throws a wrench in the works. And you miss another session.
After that, the thought of appearing on a call or posting your art for feedback feels too much. Now you actively avoid the classes you invested in.
“How can I show my face now?” (I’m behind. They’ll notice. I should have kept up.)
So you don’t.
I’m curious, have you ever experienced this?
Signing up for something and then slowly avoiding it?
You can just say “me” in the comments. I read every one.
By the time the class finishes, your inner critic has taken over.
“This is why we don’t invest in classes.”
“This is why we don’t buy materials.”
“This is why we don’t make time for art.”
“You just wasted it.”
And now it’s not just about the missed class. It’s about what it means about you.
If that feels familiar, I want to talk to you directly for a second. Hey there! 👋 I’m Carrie.
If you’ve ever signed up for something to support your art… and then slowly disappeared from it, you’re not alone. It happens more easily than we think, and it can be surprisingly hard to come back.
That’s a big part of the work I do inside Artist Strong.
I help artists reconnect with their practice, rebuild trust with themselves, and move from scattered starts and stops into creating meaningful, personal work.
If you’re ready to return to your art and follow through on the ideas that matter to you, I’d love to support you.
You can start with my free workshop, How to Transform Your Ideas Into Artwork That Is Uniquely Yours. It’s designed to help you move out of hesitation and into creating work that actually feels like you.
Recently, I signed up for a scriptwriting class that really excited me.
I’ve been toying with a novel idea for a while, and I thought it could give me structure and support.
The first week, our internet wasn’t working.
The second week, I forgot.
And after that, I started beating myself up. I’d already missed two out of six weeks. My perfectionism kicked in and whispered, “what’s the point?”
I’d like to pretend my pragmatic side stepped in and said, we’ll just sign up again and start fresh.
But… have I?
Be honest with me, have you ever done this too?
Missed a couple sessions and then told yourself it wasn’t worth going back?
Don’t miss two days in a row: your Atomic Habits rule
There’s a concept from James Clear and his book Atomic Habits that I try to practice and emphasize in my own teaching.
He says it’s okay to miss one day. But not two in a row.
Because something about missing twice makes it much harder to come back on the third day.
That’s exactly how I felt in week 3 of my scriptwriting class. I had built up a wall that felt impossible to climb over.
I felt it again when I took a long break away from art in the middle of a move.
Missing once feels human.
Missing twice starts to feel like failure.
That’s why it’s so hard to return. We make it mean so much more than what it is: make it about personal integrity and character. And that becomes the justification to stop trying.
3 Ways to Gently Return When You’ve Been Avoiding
If you’re in this right now, I don’t want you to just feel understood. I want you to have a way back in. Remember: this isn’t about being perfect. This is about showing up in the most human way possible.
- Start with low-stakes activity
If the thought of jumping back into the full class or posting your work makes your chest tighten, that’s your cue to go smaller.
So much smaller than you think.
Open your sketchbook, but don’t draw anything “important.”
Watch part of a replay without taking notes.
Doodle. Trace. Organize your materials.
This is about keeping it casual and imperfect. Let it “not count.”
Because right now, the goal isn’t progress but reconnection.
You’re reminding your brain: this space is safe to return to.
- Remove the pressure to catch up
One of the biggest blockers is the belief that you need to earn your way back in.
That you have to watch every missed lesson, complete every assignment, and somehow close the gap before you’re “allowed” to rejoin.
You don’t! Come back where you are.
Join the next call without catching up.
Post where you’re at today.
Skip what you missed if you need to.
Momentum is built forward, not by perfectly repairing the past.
- Let yourself be seen before you feel ready
This is the hardest one, but it’s often the thing that breaks the cycle.
Avoidance grows in isolation.
So instead of waiting until you feel confident, or caught up, or “back on track,” try the opposite.
Show up as you are.
Join the call and just listen.
Post your work and say, “I’ve been away for a bit, but I’m back.”
Send the message. Say hello.
Perfectionism tells you, you need a polished return. You don’t. You just need a real one.
And more often than not, what you’ll be met with isn’t judgment. It’s a greeting filled with warmth and encouragement.
Which of these feels most doable for you right now?
1, 2, or 3? I’d love to know.
Quick side note, because this comes up a lot. If you’ve ever had that feeling of ‘I can draw, but I can’t make it mine,’ I’m teaching a live workshop next Friday on exactly that.
It’s called From Reference to Real, and it’s all about learning how to transform references into something that actually feels like your work.

This is all about taking small steps to get back into your art.
I’ll leave the details below if you want to take that next step.
It’s time to give yourself some grace
If this is something you’ve experienced, I hope this normalizes it.
It is human to fall off.
It is human to take breaks.
It is human to struggle to return.
This isn’t a discipline problem. It’s a very predictable emotional pattern.
Give yourself some grace and invite yourself back into your practice.
Because the more we understand it, the less power it has.
Why this matters
It honestly kills me when a student invests in something I’ve made and doesn’t use it.
Because I’ve seen what happens when they stick with it.
But what concerns me more is what’s happening underneath that.
I’m speaking to perfectionists and highly sensitive artists who often participate in our Artist Strong Community.
The ones who feel so discouraged by a few missed steps that they start to slow down… or stop entirely.
That’s the real loss.
If you’ve ever come back to something after avoiding it, tell me what helped.
Your experience might help someone else reading this.
We want you to win
Every artist I know who teaches, whether online or in person, cares deeply.
We want you to win.
There is no teacher sitting there thinking, “Wow, they missed two classes, they’re done.”
If anything, it’s the opposite.
I love when students come back after months or even years to say hello.
Some pop on a call. Some share their work in an email.
I can’t imagine a teacher not being thrilled by that.
There’s no judgment, only excitement about reconnecting and seeing you show up for your art.
An Invitation
So show up to that class two days late.
Sign up for the workshop and watch the replay one month later.
Take the break if you need it.
We’ll be here, cheering you on.
Because the only thing that matters is that you keep making art.
Thanks for being here and letting me be part of your art practice in this way.
If you want more support like this, make sure you subscribe.
And if this helped you, sharing it with another artist is one of the best ways to support the channel.
I’ll see you in the next video.
Remember: proudly call yourself an artist.
Together, we are Artist Strong.
Even in my exercise which I DO NOT LIKE, i make a chart and re re start small baby steps. I joined the 100 day project and started too ambitious so instead of quitting, i scaled it down. I don’t have a chart yet but i think I’ll make one for my project because I don’t finish one a day. I need to see how far I’ve gotten and what animals I’ve drawn.
Suggesting a good book. Called
The Story of Drawing an Alternative History of Art by Susan Owen’s.
my artwork is based on spontaneous moments. something all of a sudden will come to me and I instantly create it. it does not happen every day but when it happens, I get my art studio ready and begin. I don’t put off tomorrow what I create today. I get new ideas and try to create them through art. love your videos, Carrie.!
*****When I click on links to these mailings I get a box asking for my email which in turn signs me up the same instructional video which enrolls me in the same course. I am unable to click out of that box without signing up and I am consequently unable to read the actual information. Please give the option to close that box. I am interested in what you have to say.
This posting is a keeper and I am going to print it out to pin it on my corkboard. You have such valuable information and I plan on sharing it with my friends.
I look for Artist strong community and I was a part of for a while. I can’t seem to find it. I’d love to see more of that community.
Sincerely
Linda DuBois