Mary asked some great questions about acrylics and specifically about use of brushes and blending for her portrait art.

I talk about my step-by-step process for painting portraits in acrylic as well as the blending techniques that help me create softer transitions between colors and tones.

While I speak about portraits because that’s the question being addressed, this information is helpful for any acrylic work, whether you work in abstraction or realism, AND even if you’re a mixed media lover (as Mary happens to be, too).

Learn my recommendations for:

  • The ratio of paint to retarder,
  • What I mean by aging effects when you start with too much water on your canvas, and
  • My favorite brushes for different techniques or effects.

Watch here:

This gives you a taste of what my monthly Q&A for people in Patreon can look like! For as little as a 3 dollar a month commitment, get personalized feedback and teaching for your artist practice.

We talk skill, voice development and it’s really the only place I talk about dipping your toes into art marketing, grants, and/or exhibitions. I’ve even helped someone with the backend of the wordpress website!

Support Artist Strong AND get monthly access to Q&As like this. Choose the contribution level that best aligns with your goals here.

What’s your best advice for someone new to acrylics? What’s something you want to explore further after watching this video? Be sure to subscribe to Artist Strong then tell me more in the comments below.

What to learn more? Take my free quiz, “What are the secrets to drawing realistic faces?” here: https://quiz.artiststrong.com/sf/ceda4809

Mary asked some great questions about acrylics and specifically about use of brushes and blending for her portrait art. I talk about my step-by-step process for painting portraits in acrylic as well as the blending techniques that help me create softer transitions between colors and tones. While I speak about portraits because that’s the question being addressed, this information is helpful for any acrylic work, whether you work in abstraction or realism, AND even if you’re a mixed media lover (as Mary happens to be, too).